Glenn Kostur Group (from left to right): Jim White, drums; Erik Applegate, bass; Dana Landry, pianos; Steve Kovalcheck, guitar; and Glenn Kostur, saxophones.
It may take you a while to get past “That’s the Way of It,” the opening track of saxophonist Glenn Kostur’s new album, The Way of It (Artist Alliance Records), because you may keep hitting the repeat button. An optimistic blues shuffle with a hard bop edge, this Kostur original has a punchy head that can bubble up out of nowhere while you’re loading the dishwasher or daydreaming at a red light, and set your head to bobbing.
It’s an excellent start to this welcome collection of 10 mainstream tracks—6 originals and 4 standards—with Kostur on bari and tenor, backed by Steve Kovalcheck (guitar), Dana Landry (pianos), Erik Applegate (bass), and Jim White (drums). Kostur will celebrate the album’s release in concert at the Outpost this Thursday with these same sidemen, as well as special guest vocalist Hillary Smith. “That’s the Way of It” could well open the set, so don’t be late. Continue reading →
In his memoir, Good Things Happen Slowly: A Life In and Out of Jazz, award-winning pianist and composer Fred Hersch chronicles his ongoing journey of self-discovery both as a musician and a man. In particular, it’s the account of a gay man coming to embrace his sexual identity amid cultural upheaval and the devastation of the AIDS epidemic, and struggling to align his artistry with his self in the testosterone-heavy atmosphere of the New York jazz scene. It’s not always a pretty story—Hersch addresses his shortcomings and weaknesses with the same honesty he applies to his strengths—but it is often fascinating. Continue reading →
Jazz is an omnivorous music. It has munched on classical, rock, funk, Cuban, and a host of other musics from around the globe, transforming them and itself in the doing. Two new releases, Gendhing for a Spirit Rising from pianist David Lopato and Under One Sun from the eponymous group founded by saxophonist/composer Billy Drewes and percussionist Jamey Haddad, take different routes to making global connections for jazz. Continue reading →
The Albuquerque/Santa Fe corridor boasts a vein of musical talent that is out of all proportion to the size of the population. Several of the folks featured in the two reviews below have gigged far and wide, exciting audiences on multiple continents, but what they all have in common is that they live here in northern New Mexico. We get to hear them quite frequently. So today we feature albums from fellow New Mexicans Arlen Asher and the trio Kadish Gagan Bartlit (aka KGB), and all you poor deprived coastal dwellers now have the opportunity to hear them, too. Continue reading →