Various preoccupations have slowed my listening and reviewing, so to pick up some of the slack, “Something for Everyone” features short reviews of six groups, covering a wide range of styles and sensibilities. Featured artists in part 2 include H M C, the Yes trio, and the Matt Slocum trio.
The latest releases from Tom McDermott and Chloe Feoranzo, and from Don Messina deserve consideration for the stockings of friends and family with eclectic musical tastes. Continue reading
Just about every jazz fan should be able to find something they like among these four very different recordings from the Ted Brown Quartet, Bill Frisell and Thomas Morgan, the Anyaa Arts Quartet, and Fabian Almazan and Rhizome. Continue reading
The Kazzrie Jaxen Quartet (left to right): Don Messina, Bill Chattin, Jaxen, and Charley Krachy.
To oversimplify a bit, jazz players can be roughly divided into two galaxies: those who want to play tunes, and those who want to play free—and never the twain shall meet.
But pianist/composer Kazzrie Jaxen’s quartet—with Charley Krachy (sax), Don Messina (bass), and Bill Chattin (drums)—manages to do both at the same time on the album Callicoon Sessions. They play tunes—“My Foolish Heart,” “Melancholy Baby,” “All of Me,” etc.—but Jaxen and Krachy also go whither their imaginations take them, irrespective of the underlying chord structure.
What’s more, no matter how far out Jaxen or Krachy might get, they don’t sound out. There is always a narrative logic that keeps them in, even if they’ve left the harmonic neighborhood far behind. On top of that, the quartet swings like em-efs, thanks in large part to what poet Mark
Weber, who is sponsoring these concerts with his spouse, Janet Simon, calls an “unrelenting pulse” from Messina and Chattin. You can dance to this stuff—you want to dance to this stuff.
In short, the Kazzrie Jaxen quartet, whose address lies somewhere in the Lennie Tristano galaxy rather than either of the aforementioned clusters, plays some of the most imaginative and exhilarating jazz you are likely to hear anytime soon, producing beautiful musical statements out of what appears to be thorny musical contradictions. Continue reading
Top: Kazzrie Jaxen and Virg Dzurinko; middle: Carol Liebowitz; bottom: Bill Payne and Mark Weber.
This is the first of four posts on two upcoming concerts—Interlace I and II—taking place at the Outpost and featuring the Kazzrie Jaxen Quartet (pianist Jaxen, saxophonist Charley Krachy, bassist Don Messina, and drummer Bill Chattin), pianist Virg Dzurinko, pianist Carol Liebowitz, clarinetist Bill Payne, and poet Mark Weber.
All of the musicians come out of the Lennie Tristano school, having studied with Tristano and/or his students, as did Weber. He’s the driving force behind these concerts. He’s been working for years to get all these folks together in Albuquerque, and he and his wife, Janet Simon, are sponsoring the events. Continue reading
