Dexter Gordon, in the words of the great jazz writer, editor, producer, and archivist Dan Morgenstern, “is of course the man who first created an authentic bebop style on the tenor saxophone.” That style influenced in one way or another just about every saxophonist who came after, and some of them—most notably John Coltrane—influenced Gordon in turn. That tells you something about the man’s dedication to his art.
On Saturday, July 15, tenor saxophonist Doug Lawrence, longtime lead tenor in the Count Basie Orchestra, will join Cobb’s Mob, a trio led by NEA Jazz Master drummer Jimmy Cobb, with bassist John Webber and pianist John Campbell, for a tribute concert copresented by the New Mexico Jazz Festival and the New Mexico Jazz Workshop. The festival will also be celebrating the 30th anniversary of Bertrand Tavernier’s film Round Midnight, in which Gordon plays a fictional tenorist named Dale Turner, loosely based on saxophonist Lester Young and pianist Bud Powell. The performance earned him an Oscar nomination. The free showing, on Sunday, July 16, will be followed by an interview with Gordon’s widow, Maxine Gordon, conducted by Steve Feld.
I had a chance to chat with Lawrence, a man as sweet as he is hip, and the following excerpts from our conversation touch on the genesis of the upcoming gig, the honor of playing with Jimmy Cobb, and Gordon’s influence on Lawrence. Continue reading