Tag Archives: frank leto

A New Carnaval Celebration at the NHCC and a New Album from Frank Leto

Carnaval masters Pilar and Frank Leto

On February 9 and 10 at the National Hispanic Cultural Center (NHCC), Frank and Pilar Leto will present “Carnaval 2024: Comunidade,” their 19th almost-annual celebration of Carnaval, which features vibrant original music and dance and lavish costumes. This year, they are paying tribute to the many dancers, musicians, actors, and sponsors from the Albuquerque community who have made these unique Carnaval performances possible year after year. In addition, Frank’s latest album, It Seems Like Yesterday, will be available at the event in advance of its official release.

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Annual Carnaval Celebration Premieres New Album from Frank Leto

Frank Leto

With “Carnaval 2023: Homage” set for February 24 and 25 at the NHCC, Frank and Pilar Leto deliver their 18th production celebrating Carnaval with original music and dance. This year, they are paying tribute to the couples who deeply influenced them, such as their friends Airto Moreira and Flora Purim, and Frank is releasing a studio album, Homage, featuring songs that have graced their Carnaval productions over the years.

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Bert Dalton’s Brazil Project Presents a ‘Manfredo Fest’-ival

Brazil Project (left to right): John Bartlit, Patty Stephens, Rob “Milo” Jaramillo, Frank Leto, and Bert Dalton

Brazil Project (left to right): John Bartlit, Patty Stephens, Rob “Milo” Jaramillo, Frank Leto, and Bert Dalton

Pianist Bert Dalton’s Brazil Project is on a mission: to make the music of Brazilian composer/
pianist Manfredo Fest more widely known and appreciated. Dalton first crossed paths with the late Fest (1936–1999), one of the innovators of the bossa nova movement in the late 1950s, more than 30 years ago. He was immediately and permanently smitten with Fest’s energetic music. He’s played it ever since, wanting to expose a wider audience to its seamless blending of bop influences and Brazilian pulse.

For this special mission, Dalton is augmenting his Brazil Project personnel—Patty Stephens
(vocals), Rob “Milo” Jaramillo (bass), John Bartlit (drums), and Frank Leto (percussion)—with Ali Ryerson, one of the world’s top jazz flutists, and Phill Fest, son of Manfredo and a guitarist whose albums place high on the jazz charts. The septet will present three concerts titled “Dig This Samba!” this week—in Albuquerque, Santa Fe, and El Paso—with the El Paso concert being recorded live for an upcoming album. Continue reading →

Samba the Night Away

Baracutanga

Baracutanga.

When vibes/percussion player Nick Baker—anyone ever seen him without a smile on his face?—slipped me the word about a celebration of Brazil Independence Day this Friday at Sister Bar, featuring Baracutanga, PANdemonium, and Odara Dance Ensemble, I did some quick research on Brazilian Independence Day, since I knew absolutely nothing about it. Yet another gap in my education.

According to Wikipedia, on January 9, 1822, when Pedro, Prince of Brazil, refused to return to Portugal from the Kingdom of Brazil in response to the Portuguese assembly’s demand, he
created Dia do Fico, which Wikipedia freely translates as “I’ll Stay Day.” On September 7, the same cat declared Brazil’s independence, which is celebrated in Brazil by big military parades.

Outside Brazil, there’s no Brazilian military to appease, so people celebrate in a more Brazil-
appropriate way: with music and dancing. Wikipedia tells us that the 2008 celebration in New York City, called Brazil Day, drew 1.8 million people and was broadcast live in Brazil, so the folks down there had a choice other than military exhibitionism.

This Friday, Frank Leto’s PANdemonium, along with Pilar Leto’s Odara Dance Ensemble, will get things started. You won’t have to fight a crowd of 1.8 million, and you will likely be saying “Eu
ficarei” along with Prince Pedro. Then, Baracutanga, fronted by singer Jackie Zamora, will justify your wise decision. Continue reading →

Carnaval Hits the Streets (and news about a fun[d]-raiser)

Frank and Pilar Leto.
Dancer Amy Joy Iwasaki.
Frank Leto with Naomi Elizabeth Montoya.

 

For musician/composer Frank Leto and his lovely wife, dancer/choreographer Pilar Leto,
Carnaval has been a pivotal annual event for well over 30 years. They met, in fact, when Pilar auditioned for one of Frank’s Carnaval productions in San Francisco in 1979, and every year since then, wherever they were living—from California to Hawaii to New Mexico—they’ve
produced a Carnaval dance and music presentation.

This year, they return to the National Hispanic Cultural Center, which has hosted the popular annual extravaganza for almost 10 years, and many things in the event will be similar. Frank’s band, PANdemonium, and Pilar’s troupe, the Odara Dance Ensemble, will again feature original music and dance that celebrate the traditions of Brazil, Cuba, Trinidad, and Louisiana, and there will be a cast of about 50, astonishing costumes, stilt walkers, dazzling lighting effects, and all the rest.

But there will also be one big difference: instead of presenting a song and dance revue
interspersed with entertaining commentary, the 2014 production will premiere Carnaval: Streets of Love, an original musical created by the Letos and writer Kate Smith, who have their eyes on a final destination somewhere on or just off Broadway.

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