Glenn Kostur Group (from left to right): Jim White, drums; Erik Applegate, bass; Dana Landry, pianos; Steve Kovalcheck, guitar; and Glenn Kostur, saxophones.
It may take you a while to get past “That’s the Way of It,” the opening track of saxophonist Glenn Kostur’s new album, The Way of It (Artist Alliance Records), because you may keep hitting the repeat button. An optimistic blues shuffle with a hard bop edge, this Kostur original has a punchy head that can bubble up out of nowhere while you’re loading the dishwasher or daydreaming at a red light, and set your head to bobbing.
It’s an excellent start to this welcome collection of 10 mainstream tracks—6 originals and 4 standards—with Kostur on bari and tenor, backed by Steve Kovalcheck (guitar), Dana Landry (pianos), Erik Applegate (bass), and Jim White (drums). Kostur will celebrate the album’s release in concert at the Outpost this Thursday with these same sidemen, as well as special guest vocalist Hillary Smith. “That’s the Way of It” could well open the set, so don’t be late. Continue reading →
I’ve seen vocalist René Marie naked three times. So have tens of thousands of others—just about anyone, I’d bet, who’s seen her perform in person. No, she doesn’t strip off her clothes. She peels away emotional defenses, social niceties, and the veneer of celebrity to expose and open her heart. Why does she do that? So she can open yours. What’s more, she has three accomplices, collectively known as Experiment in Truth, who are expert at picking the internal locks—John Chin (piano), Elias Bailey (bass), and Quentin Baxter (drums). So be warned: you will be moved if you attend her New Mexico Jazz Festival concert at the African American Performing Arts Center on August 5. Continue reading →
The Dogbone Trio: Micah Hood, Jefferson Voorhees, Maren Hatch
Serendipity, thy name is the Dogbone Trio. Comprising Micah Hood (trombone), Maren Hatch, (acoustic bass), and Jefferson Voorhees (drums), this improvisational trio with a wide-ranging repertoire was formed and then discovered by chance. Nevertheless, their booking this week at the Outpost to kick off the 22nd Annual Summer Thursday Jazz Nights series, in tandem with the Jackie Zamora Brazilian Quintet, was a purely intentional move by Outpost Executive Director Tom Guralnick, who knows a good thing when he hears it. Continue reading →
New Mexico is blessed with a generous helping of world-class musicians of all types, artists who could play on the world’s finest stages (some do) but choose to make their home here. Stellar reed man, educator, and award-winning broadcaster, Arlen Asher has been on that list for 59 years. Since his arrival here in 1958, Arlen has beguiled audiences with his beautiful tone and his silky lines on an arsenal of woodwinds that he hauls to just about every gig—flutes, saxophones (he once confessed that the bari is his favorite instrument), and clarinet. On May 7, Arlen turns 88, but age has not dimmed his passion for the music. On May 4, this consummate gentleman will celebrate his birthday—and the 83rd birthday of jazz fan and producer Bumble Bee Bob Weil—with a concert in the hall that bears Weil’s name at the Outpost Performance Space. I caught up with Arlen recently to talk about the upcoming gig, which will include pianist Jim Ahrend, bassist Colin Deuble, and drummer John Trentacosta, as well as guest vocalists Judy Christopher and Patti Littlefield. The quartet will reprise the concert at the Museum Hill Café in Santa Fe on May 6, with guest vocalists Susan Abod and Pam Jackson (guitarist Michael Anthony will replace Ahrend). Here are some of the highlights of our conversation. Continue reading →
For guitarist Joshua Breakstone, inspiration comes from the tune, and his cello quartet, inspired by a happy accident, provides an unusual vehicle for elucidating the tune’s heart. This Thursday, the quartet—with Mike Richmond (cello), Chris Conner (bass), and John Trentacosta (drums)—will explore tunes on Breakstone’s latest release, 88 (Capri Records), an homage to pianists, which has been rising on the airplay charts. Continue reading →