Category Archives: Previews

Vinicius Cantuária Celebrates Jobim and Opens the NM Jazz Fest

digipak 4pVinicius Cantuária, Vinicius canta Antonio Carlos Jobim (Sunnyside Records)
A Review

The New Mexico Jazz Festival gets up and
running this week with a “new trend”—or as it is more familiarly known, bossa nova—in the person of guitarist, composer, percussionist, and vocalist Vinicius Cantuária. Cantuária, who moved from his native Brazil to New York City in the ’90s, made a name for himself in the neo–Brazilian music world and in NYC’s Downtown scene, itself noted for new trends. On this recording, Cantuária hews close to the classic style, with subtle jazz shadings, and makes Jobim the star of the show. Continue reading

Juneteenth Concert Spotlights Albuquerque’s African-American Talent

Building Community and Preserving History, One Celebration at a Time

The African-American community in Albuquerque traces its history back to the founding of the villa in 1706, and people of African or mixed African descent have been present in New Mexico at least as far back as the Spanish explorations of the early 1500s, if not well before. The African roots are deep, and the African-American community in Albuquerque today brims with musical talent.

For vocalist/songwriter/producer Cathryn McGill, Juneteenth, the oldest celebration in the
United States commemorating the end of slavery, presents an excellent opportunity to focus the city’s attention on the contributions of African-Americans to the musical heritage of both the country and the state. As curator of the New Mexico Jazz Workshop’s Juneteenth Freedom Concert: Whole Lot of Rhythm Goin’ Down, A Musical History from Justice to Jazz and Freedom to Funk, she’s conceived an evening that will bring the African-American musical community
together, entertain the community at large, and remind us all of our shared history. Continue reading

Tim Berne’s Snakeoil: A Sure Remedy for the Everyday Blues

Tim Berne's SnakeoilIf necessity is the mother of invention, then desperation must be the mother of reinvention, judging from Tim Berne’s story of his introduction to the saxophone. The intrepid alto
saxophonist and composer didn’t touch the instrument until he was in college, and although he was a huge music fan, the only thing he’d played before that, he confesses, was “a little
basketball.”

“I couldn’t imagine being a normal person, having a job, so I was kind of desperate to find
something that wasn’t quite the norm,” he says. “So by accident, I got a saxophone for a
hundred bucks.”

Nice accident. Four decades later, with an immediately recognizable sound on his horn and an impressive body of work to his credit, it’s hard to imagine how Berne could ever have been
anything but the groundbreaking musician he is. This Thursday, he’ll bring his Snakeoil band, featuring Oscar Noriega (clarinets), Matt Mitchell (piano), and Ches Smith (percussion), to GiG and the Outpost, to celebrate the release of their third album on the ECM label, You’ve Been Watching Me.

Continue reading

Bébé La La Finds Their Balance on High Wire

Bébé La La: Maryse Lapierre and Alicia Ultan.

Bébé La La: Maryse Lapierre and Alicia Ultan.

The French-Canadian idiom “bébé la la” refers to foolish behavior, but the singing/songwriting duo that call themselves Bébé La La—Maryse Lapierre (vocals, accordion, harmonium) and
Alicia Ultan (vocals, guitar, viola) are anything but. Fun, high-spirited, and occasionally giggly for sure, but never foolish, as their debut album, High Wire, clearly demonstrates.

Beautifully produced by John Wall and Bébé La La, and recorded and engineered by Wall at his Wall of Sound Studio, the tunes on High Wire face down a variety of difficult situations—from
income inequality on the political front to trying love affairs on the personal front—on the strength of mesmeric harmonies and a spunky equilibrium. Bébé La La will be celebrating the release of High Wire with a performance this Saturday at Las Amapolas Event Center. Continue reading

Blossom Blooms in Barbara Bentree

Barbara Bentree

Barbara Bentree

Vocalist/pianist Barbara Bentree wasn’t particularly impressed the first time she heard a
recording of the late vocalist/pianist Blossom Dearie. Bentree’s husband, pianist John Rangel, suggested that she check out the singer, whose career spanned seven decades and who won the respect of some of America’s greatest songwriters. “Then, of course, what I would pull up was ‘Peel Me a Grape’ or something,” says Bentree, “and I was ‘Hmm, I don’t know.’ ”

One day, though, Bentree entered Dearie’s name into the iTunes search field, and over 400 recordings came up. “I went, ‘Wow, that’s significant,’ ” she says, “and then, so I just started
playing them and then downloading them.” Bentree enjoyed the material that Dearie chose for herself, and the more she heard, the more she realized that the singer was not as “cutesy” as she had first believed, and had a wonderful “range in her sound.” When she started researching Dearie’s life, Bentree found a strong woman ahead of her time.

“I’m not a jazz aficionado, but in my mind, I just don’t know if she’s really gotten her due,”
Bentree says.green_cover-100

With Thursday’s concert at the Outpost, Bentree, who won the 2012 New Mexico Music Award for Best Vocal Performance on her album Green, hopes to raise Dearie’s visibility a bit, with the help of Rangel, guitarist Michael Anthony, bassist Andy Zadrozny, and drummer John Trentacosta. Continue reading