Category Archives: Previews

Rare and Special: Chuy Martinez and Oti Ruiz in Concert

Chuy Martinez. Photo by Mel Minter.

Chuy Martinez. Photo by Mel Minter.

Chuy Martinez (guitar, vocals) and Oti Ruiz (harp, violin, requinto, vocals) came to music via very different paths that intersected very sweetly. Martinez learned to play guitar while working as a migrant farmworker in California, a job he started at age 12, when he fled from an abusive foster home. Joining the the United Farm Workers Union at 16, he worked rallies in many states as an organizer and musician. Ruiz, orphaned at 11 and growing up with his grandmother in Xalapa, Veracruz, Mexico, started playing at age 13. He studied at the Music Conservatory in Xalapa and went on to tour the world with internationally renowned groups.

Oti Ruiz. Photo by Mel Minter.

Oti Ruiz. Photo by Mel Minter.

In 2001, fate or luck or the angels, call it what you will, brought them together in
Albuquerque at trying times in their lives. Playing Latin American music together brought solace and direction, and bore fruit: within a year of meeting, they produced their lovely first CD, Pa’ Uste’, a passionately
delivered collection of popular and folkloric music from Latin America and the Caribbean.

Their artistic collaboration has continued ever since. Unfortunately, their day jobs prevent them from playing out very often. Martinez is Old Town manager/curator for Albuquerque’s Cultural Services Department/Community Events and is well-known as the host of Lo Maduro de la Cultura, a popular public-access TV show on the arts. Ruiz teaches at Coronado Elementary and is music director of La Rondalla de
Albuquerque. That makes their concert at the Outpost this Friday, May 10, where they’ll be joined by John Mancha (guitarrón, accordion), a rare and special event.

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Asher Barreras and John Maestas Go Large

Last summer, when bassist Asher Barreras and guitarist John Maestas booked a set for a nonet in the Outpost’s summer series, I wasn’t sure what to expect. I knew these two native Burqueans as primo players and ambitious composers who have swallowed a variety of genres while swimming in the jazz ocean. I’d heard them shine as sidemen and as coequals in their Humoso quartet. But a nonet with reed and brass sections? What exactly would two young string-plucking whippersnappers know about writing for a mess of wind instruments?

Well, it was a smokin’ set, and it featured some of the Southwest’s best players, several of whom also contributed fine compositions. It was so good, in fact, that the Outpost invited the nonet back for a full evening in the middle of the high-profile spring season.

Expectations have now been raised, but I’ve no doubt that this Thursday, Barreras, Maestas, and company—Kanoa Kaluhiwa and Aaron Lovato (tenor sax), Glenn Kostur (alto sax), Paul Gonzales and JQ Whitcomb (trumpet), Ben Finberg (trombone), and Paul Palmer III (drums), with help from special guest Albuquerque Poet Laureate Hakim Bellamy—will satisfy those
expectations and then some.

The summer 2012 version of the Barreras/Maestas nonet. Photo by and courtesy of Jim Gale.

The summer 2012 version of the John Maestas–Asher Barreras nonet. Photo by and courtesy of Jim Gale.

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hONEyhoUSe Heats Up the Sweet Spot

I swung by vocalist Hillary Smith’s house to pick up the new hONEyhoUSe CD, which was
waiting for me in an envelope stashed behind the fountain by her front door. With
characteristic generosity, Smith had left two copies, and that only made me doubly nervous.

I had been so over-the-top smitten by the trio’s first album, Sun, that I was afraid to cut the plastic wrap on this one. What if their first album had just been lightning captured in a bottle, and not a sun at all? How would I tell these musical friends that I didn’t dig it?

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Photo courtesy of hONEyhoUSe.

I slid the CD into the slot on the dashboard, turned up the volume, and held my breath. It wasn’t too far into the first track, “Kansas,” that the goose bumps began to pop on my
forearms. Near the end of the song, where the hONEyhoUSe gospel choir takes us to church, the hairs on the back of my neck erected in sympathetic vibration, and I was in full voice accompaniment. (What an inspired choice, made in the studio on the fly by
producer John Wall and Smith, to multitrack the trio into a glorious choir.)

I herewith publically apologize to Mandy Buchanan, Yvonne Perea, Hillary Smith, and their djembe-playing percussionist Savannah Thomas for ever having had a doubt. Medicine Lodge burns hotter and sweeter than SunContinue reading

Rudresh Mahanthappa Takes a World Tour with Gamak

Photos by and courtesy of Jim Gale.

Photos by and courtesy of Jim Gale.

Two important and related things to note this week: First, alto
saxophonist Rudresh Mahanthappa is bringing his quartet Gamak to the Outpost for two concerts on Thursday and Friday. Second, the chairs at the Outpost are not fitted with seatbelts. So those of you
attending the shows will want to grip the arms of your chair
firmly, and maybe hook your feet around the legs, so you don’t get blown out the door when the quartet blasts off. If you’re not sitting on your hat, you will lose it.  Continue reading

CD Release Party for Floozy’s “Open Can of Super Days”

In the last couple of years, three new female trios have sprung up in Albuquerque, each with its own sound and sensibility, each feeling like it couldn’t have happened anywhere else, and each feeling like it has the potential to take another step.artworks-000039100075-hxwebu-t200x200

First, there was hONEyhoUSe, then Jeez LaWeez, and now comes Floozy: Teresa Esguerra (Local Honey), Bronson
Elliott (Sexy Mother Pluckers), and Tanya Nunez (Tommy Rickard, Stu Nevitt).

Until a few weeks ago, I knew very little about these last three ladies, and now I can’t get their songs out of my head. Their first album, Open Can of Super Days (Flophouse Records), will be unleashed Saturday with a release party at the Outpost. It’s a big wet kiss of an album—exhilarating and dangerous, messy and calculating—a lipstick-smeared excursion into electro-acoustic folk-punk, with a shot of Thelma and Louise. Want to go for a ride with the top down?  Continue reading