In his memoir, Good Things Happen Slowly: A Life In and Out of Jazz, award-winning pianist and composer Fred Hersch chronicles his ongoing journey of self-discovery both as a musician and a man. In particular, it’s the account of a gay man coming to embrace his sexual identity amid cultural upheaval and the devastation of the AIDS epidemic, and struggling to align his artistry with his self in the testosterone-heavy atmosphere of the New York jazz scene. It’s not always a pretty story—Hersch addresses his shortcomings and weaknesses with the same honesty he applies to his strengths—but it is often fascinating. Continue reading
Category Archives: Reviews
Jazz Reaches Out: New Releases from Under One Sun and David Lopato
Jazz is an omnivorous music. It has munched on classical, rock, funk, Cuban, and a host of other musics from around the globe, transforming them and itself in the doing. Two new releases, Gendhing for a Spirit Rising from pianist David Lopato and Under One Sun from the eponymous group founded by saxophonist/composer Billy Drewes and percussionist Jamey Haddad, take different routes to making global connections for jazz. Continue reading
Swing Local
The Albuquerque/Santa Fe corridor boasts a vein of musical talent that is out of all proportion to the size of the population. Several of the folks featured in the two reviews below have gigged far and wide, exciting audiences on multiple continents, but what they all have in common is that they live here in northern New Mexico. We get to hear them quite frequently. So today we feature albums from fellow New Mexicans Arlen Asher and the trio Kadish Gagan Bartlit (aka KGB), and all you poor deprived coastal dwellers now have the opportunity to hear them, too. Continue reading
Three Reviews: Trio S, To Be Continued, and Anne Vanschothorst
New releases from Trio S, To Be Continued, and Anne Vanschothorst wander off the beaten path. Continue reading
Monk Unearthed
Thelonious Monk Quintet
Les liaisons dangereuses 1960 (Sam Records and Saga)
A review
In 1958, iconic jazz pianist/composer Thelonious Monk, whose centenary we are celebrating this year (and no one more happily than I), was approached to provide music for Roger Vadim’s film Les liaisons dangereuses 1960. For a variety of personal and professional reasons, Monk resisted scoring new music for the project, but in July 1959, he did go into the studio in New York to record his current repertoire with a short-lived but very effective quintet that included Charlie Rouse (alto), Barney Wilen (tenor), Sam Jones (bass), and Art Taylor (drums). The use of this music in the film stirred critical controversy, but there was little doubt as to its quality. Unfortunately, the only way to hear the music since 1960 has been to watch the 101-minute film, which includes 33 minutes of Monk’s music under the film’s dialogue. Until now. That music—and much more— is now available on this two-LP or two-CD set (and as a download). Continue reading