Real Midnight, the new release from Birds of Chicago—the collective of musicians that centers on the peripatetic singer/songwriters J.T. Nero and Allison Russell—demonstrates that words and music put together in just the right way can melt hearts, heal wounds, and stiffen backbones. Again and again on Real Midnight, Nero and Russell, who will be in concert in Santa Fe and Albuquerque this week, manage to snare big feelings in the tiniest details (“He can see her now he can see her now/Sunlight through her camisole”), memorialize hallowed moments of youth in a handful of words (“We watched you fade/Dim star of the palisades/Drowning in the sun”), and celebrate truths that can make you shudder (“Nobody keeps anything/Nobody gets to keep anything/I’m trying to catch a feeling/I’m just trying to catch a feeling”). Continue reading
Category Archives: Reviews
Three Quickies: Reviews on Releases from Ralph Alessi, Tom McDermott and Aurora Nealand, and Herlin Riley
Short reviews of the latest releases from these masters. Continue reading
Meredith Wilder Mesmerizes on ‘The Coming of the Night’
The Coming of the Night, Meredith Wilder (indie)
A Review
Singer/songwriter Kristina Jacobsen calls singer/songwriter Meredith Wilder the
“Songbird of the Sandias.” It’s an appropriate moniker, given the appealing sweetness in Wilder’s voice, the transparency of her head tones, and her irresistible melodies. But there is also a dusky darkness and a wary
vulnerability in both voice and lyrics that
balance the sweetness and draw you deeper in to The Coming of the Night, a solo
album from the frontwoman of the popular band Wildewood. Continue reading
New Releases from Pianists Marc Copland and Florian Hoefner
Reviews of new albums from pianists who started on different instruments—Marc Copland on sax, Florian Hoefner on trumpet—celebrate their decision to move to the keyboard. Continue reading
Myra Melford and Ben Goldberg in Riveting ‘Dialogue’
Dialogue, Myra Melford and Ben Goldberg (BAG Production Records)
A Review
Pianist/composer Myra Melford and
clarinetist/composer Ben Goldberg engage in serious play on their first-ever duo release, Dialogue (BAG Production Records). Serious, but never solemn, and always with a playful disregard for the orthodox.
The two share several characteristics that have allowed them to contribute as a
sideman in each other’s projects and that also make for an electric pairing. First, there is the absolute command of their instruments that
supports a fearless confidence, a willingness to take corners on two wheels and to see just how far they can tip this thing over without crashing. Continue reading

