Tag Archives: musically speaking

In the Swing of Things

RecollectionsFirst Take Trio, Recollections (Lone Guitar)
A Review

Well, hello again. After my wife and I took a short vacation to celebrate a major milestone, I came down with a nasty illness that is
finally beginning to clear away, so it feels good to finally get back into the swing of things. Recollections, the latest CD from
guitarist Michael Anthony’s First Take Trio, with Michael Glynn on bass and Cal Haines on drums, provides a great way to do just that.

The title refers to Anthony’s fond
remembrance of his late mentor, guitarist Howard Roberts, to whom the album is dedicated. A legendary studio player in Los Angeles and a respected jazz artist from coast to coast, Roberts took Anthony under his wing and helped him get get airborne with a style of his own. Continue reading

Le Chat Lunatique Plays It Straight and Hot

Swing Gitan FrontThat band of maniacs appropriately known as Le Chat Lunatique—Muni Kulasinghe (violin, vocals), John Sandlin (guitar), Jared Putnam (bass, vocals), and Fernando Garavito (drums)—have released several albums loaded with delightfully eccentric covers and originals in a style they call “filthy, mangy jazz,” but their
latest release, Swing Gitan, finds them taking aim at the vintage music that inspired them in the first place—le jazz hot of Django
Reinhardt and Stéphane Grappelli, and their contemporaries and descendants.

The band’s seriocomic stage presence, literately nonsensical patter, and zany takes on
sphincters, millionairesses, and buses driven by God make their performances madly
entertaining, but ultimately, it’s the music and the musicianship that keeps you in the house and on the dance floor. On Swing Gitan, those two elements are front and center as the band celebrates the classic tunes, and you can celebrate along with them at the CD release party this weekend at Marble Brewery. Continue reading

Cultural Celebrations

 

 

Edward Simon, Venezuelan Suite (Sunnyside Records)
Danilo Pérez, Panama 500 (Mack Avenue Records)
A Review

Two top-drawer Latin-American pianists, Venezuelan Edward Simon and Panamanian Danilo Pérez, take different approaches to celebrating their respective heritages on their recent
releases. Simon seamlessly integrates Venezuela’s folkloric traditions with those of jazz. Pérez works in a more painterly manner, adding touches of Panamanian color to his jazz-based
compositions. Continue reading

Keeper of the Flame

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Catherine Russell, Bring It Back (Jazz
Village/harmonia mundi)
A Review

Vocalist Catherine Russell has more than 100 years of American musical history in her voice, and she comes by it honestly. Her
father, Luis Russell, was Louis Armstrong’s bandleader and arranger from 1935 through the early forties, and her mother, Carline Ray, played guitar in the International Sweethearts of Rhythm. As modern as Russell is—after all, she’s backed up everyone from Steely Dan to David Bowie to Rosanne Cash for years—when she sings in front of her band, it’s a history lesson, and never was school so much fun. Continue reading

Littlefield and Asher on the Fire Escape

Vocalist Patti Littlefield can belt a tune hard enough to rattle the glassware behind the bar, and then she can drop down into her lubricious lower register to raise your interest in the possibility of illicit pleasures. Woodwind master Arlen Asher, jazz scholar and gentleman, long ago
discovered the avenues that lead from the mouthpiece to the human heart, and he travels them with what appears to be effortless ease, stripping away an audience’s defenses with a gentle and elegant lyricism.

These two fine musicians have held one another in high regard for years, but except for a
couple of tunes in jam sessions, they’ve never had the opportunity to play together. This
Thursday at the Outpost, they’ll finally remedy that, with help from Brian Bennett on piano, Michael Olivola on bass, and John Trentacosta on drums. The concert will be recorded, so come on out and whoop it up. Continue reading