The NuAeen Ensemble comprises four of the world’s most-renowned performers and composers of Persian classical music, all natives of Iran now living in the United States, including Albuquerque’s Sourena Sefati. On Saturday, June 3, to raise awareness of both the ongoing protests in Iran and Persian music, the ensemble will give Albuquerque a rare opportunity to hear that music in its For Freedom Concert at Keller Hall.
Three new releases from Sexmob, Lily Guarneros Maase, and the Ralph Alessi Quartet offer wildly different but equally captivating musical experiences.
On the morning of April 14, we were saddened to learn of the overnight passing of a longtime, integral, and well-loved member of Albuquerque’s musical community, reedman and educator Bob Gusch. Bob played everything from Brazilian choros to straight-ahead jazz and was always up to learn something new. He loved playing music for people, and the feeling was returned. His light will be missed. We send our condolences to Bob’s family, friends, and colleagues.
Below, to introduce him to those who didn’t know him and to enliven the memories of those who did, I’ve posted a profile of Bob that I wrote for Albuquerque The Magazine back in 2018. A memorial will be held on Saturday, May 13, from 12:30 to 3:00 p.m., at Holiday Dance Studio, 5200 Eubank Blvd.
“Our sweetest songs are those that tell of the saddest thought,” said Percy Bysshe Shelley. In support of that sentiment, I offer exhibit one: The Price We Pay for Love, the new release from vocalist Julie Christensen, coproduced with bassist Terry Burns, who also contributes string arrangements and orchestral programming.
The urgent angularity of Argentine Emilio Teubal’s Futuro and the lyrical sweep of Eric Reed’s Black, Brown, and Blue offer highly divergent and equally satisfying takes on jazz piano.
