Day, the second and deeply satisfying release from drummer/composer Rudy Royston and his sui generis Flatbed Buggy aggregation, features original compositions that are rooted in the demotic music of North America and leafed out in a setting of contemporary jazz.
Award-winning ethnomusicologist, anthropologist, linguist, documentarian, sound artist and ecologist, musician, and UNM professor Steven Feld encountered Por Por (pronounced paaw paaw), Ghana’s honk horn music, 20-some years ago and has continued to work with the musicians, documenting this unique genre. The exclusive players of this squeeze-bulb klaxon horn music are the drivers in the La branch of the Ghana Private Road Transport Union (La is a district of Accra). In his most recent effort on their behalf, Feld combines them with the Texas Horns, a preeminent U.S. soul, blues, and roots trio. The result is an astonishingly strange and familiar hybrid.
I’ve fallen behind in my listening and reviewing, so to catch up a bit, here are four short reviews of ear-worthy releases from reedman Michael Blake’s septet, bass soloist Brandon Lopez, pianist Jean-Michel Pilc’s trio, and the duo of altoist Pierrick Pédron and pianist Gonzalo Rubalcaba. Happy listening, to one and all.
One of the leading jazz artists from Latin America and perhaps best known as a member of the SF Jazz Collective, award-winning Venezuelan composer and pianist Edward Simon makes good use of both his jazz chops and his Latin background on his latest release, Las Femeninas, Songs of Latin American Women, which features jewels from the Latin American songbook—all by female songwriters—in exquisite jazz settings. In addition to those songs, Simon’s Latino Soy suite graces the album with three original compositions. Simon’s trio, with Reuben Rogers on bass and Adam Cruz on drums, will bring that music to the Outpost this week, along with two guest artists, Grammy-nominated Mexican vocalist Magos Herrera and Venezuelan percussionist Luis Quintero.
The NuAeen Ensemble comprises four of the world’s most-renowned performers and composers of Persian classical music, all natives of Iran now living in the United States, including Albuquerque’s Sourena Sefati. On Saturday, June 3, to raise awareness of both the ongoing protests in Iran and Persian music, the ensemble will give Albuquerque a rare opportunity to hear that music in its For Freedom Concert at Keller Hall.
