Category Archives: Interviews

Pianist Fred Hersch Speaks with Musically Speaking in Advance of NM Jazz Fest Appearances

Fred Hersch. Photo by Roberto Cifarelli.

Pianist, composer, educator, and author Fred Hersch brings his trio, with bassist Drew Gress and drummer Jochen Ruekert, to the Outpost in Albuquerque on September 16, Unit B in Santa Fe on September 17, and the Harwood Museum in Taos on September 18—part of the New Mexico Jazz Festival. Over the last four decades or so, Hersch has established himself as an original and respected voice in modern jazz, releasing more than 60 albums and winning multiple accolades in the United States and Europe. He has played a wide range of musical styles in an equally wide range of formats, from solo piano to large-scale orchestras. One of the first—if not the first—jazz artists to step out of the closet, Hersch has helped open doors for others, particularly through his memoir, Good Things Happen Slowly, a frank account of his health struggles and triumphs as an openly gay, HIV-positive jazz musician. Near death in 2008, he was placed in a medically induced coma for several weeks, during which he experienced an unusually realistic series of dreams, which he recounted in one of his signal projects, My Coma Dreams, a moving multimedia jazz theater piece.

He graciously offered to speak to Musically Speaking in advance of his New Mexico Jazz Festival performances. The interview has been lightly edited for clarity and length.

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A Fresh Communiqué from Planet Shipp

Matthew Shipp. Photo by Anna Yatskevich.

My plan was to post three or four more short album reviews to lower the must-listen pile a little, as I did in the previous post. One of those albums was to be The Cosmic Piano, a solo release from pianist Matthew Shipp, S.G. Then, I had the opportunity to speak with His Sui Generisness, so the other albums will have to wait a bit longer.

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Myra Melford’s Fire and Water Quintet: a Pre–Outpost Appearance Interview

Myra Melford. Photo by Don Dixon.

On Thursday, October 31, Myra Melford’s Fire and Water Quintet will make its debut performance at the Outpost. Comprising five stellar improvisers—Melford (piano and melodica), Ingrid Laubrock (saxophones), Mary Halvorson (guitar), Tomeka Reid (cello), and Leslie Mok (drums)—the group plays vivid, life-affirming compositions by Melford, a sensitive synesthete, inspired by the paintings of Cy Twombly, specifically his Gaeta Set (For the Love of Fire and Water). Musically Speaking had the opportunity to speak with Melford, one of the brightest luminaries on the jazz scene.

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Coming Alive through Song: Aiming for Fulfillment

A singing encounter with theater group Casa Talcahuano, Buenos Aires. Photo by Martin Bertolami.

In the fall of 2018, Alejandro Tomás Rodriguez—actor, musician and member of the internationally recognized trio Engine, and currently a visiting professor at UNM—introduced a series of singing encounters called Coming Alive through Song, which he described this way in an invitation: “Coming Alive through Song is a cycle of singing sessions open to all. . . . In these encounters, we will dive into a fluid interaction of song, movement, and rhythms rooted in Afro–Latin American traditions, as well as spirituals and shouts from the Deep South of the United States. Part of the day will be dedicated to physical work: exercises of synchronization and reaction contained within a structure that unfolds through different rhythms and games.”

These encounters have continued, and with his return to Albuquerque for the spring semester, they are about to begin again. Rodriguez, who will colead the sessions with collaborator Lloyd Bricken, shared his thoughts about the nature of these encounters, their objective, and their provenance in an interview reproduced here in an edited version, along with a promotional video, details about the upcoming sessions, and a brief profile of Rodriguez’s professional background.

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Vocalist Luciana Souza Brings ‘The Book of Longing’ to the Outpost: An Interview

Luciana Souza. Photo by Kim Fox.

Spare, transparent, and penetratingly beautiful, The Book of Longing, the latest release from Brazilian vocalist Luciana Souza, transports the listener into the heart of 10 poems, four from Leonard Cohen’s book of the same name; one each from Edna St. Vincent Millay, Emily Dickinson, and Christina Rossetti; and three from Souza herself. Souza, who composed the music, does not attempt to interpret the poems. Rather, with the help of the exceptionally sympathetic Chico Pinheiro on guitar, Scott Colley on bass, and producer Larry Klein, Souza’s husband and multiple GRAMMY winner, she creates a setting in which the words of the poets resonate freely.

On Wednesday, November 28, Souza, Pinheiro, and Colley will bring those songs and others to the Outpost. I had the opportunity to speak with her by phone a few weeks ago. The interview, lightly edited for brevity, is transcribed below. Continue reading →