Tag Archives: coming alive through song

Coming Alive through Song: Aiming for Fulfillment

A singing encounter with theater group Casa Talcahuano, Buenos Aires. Photo by Martin Bertolami.

In the fall of 2018, Alejandro Tomás Rodriguez—actor, musician and member of the internationally recognized trio Engine, and currently a visiting professor at UNM—introduced a series of singing encounters called Coming Alive through Song, which he described this way in an invitation: “Coming Alive through Song is a cycle of singing sessions open to all. . . . In these encounters, we will dive into a fluid interaction of song, movement, and rhythms rooted in Afro–Latin American traditions, as well as spirituals and shouts from the Deep South of the United States. Part of the day will be dedicated to physical work: exercises of synchronization and reaction contained within a structure that unfolds through different rhythms and games.”

These encounters have continued, and with his return to Albuquerque for the spring semester, they are about to begin again. Rodriguez, who will colead the sessions with collaborator Lloyd Bricken, shared his thoughts about the nature of these encounters, their objective, and their provenance in an interview reproduced here in an edited version, along with a promotional video, details about the upcoming sessions, and a brief profile of Rodriguez’s professional background.

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Engine’s ‘Encuentros Íntimos, Unplugged in Albuquerque’ Chronicles Ecstatic Evenings

Engine: Robin Gentien, Alejandro Tomás Rodriguez, Pierre Lauth-Karson

Last spring, in a back room of Albuquerque’s Dialogue Brewing on seven successive Wednesday evenings, the trio Engine—Alejandro Tomás Rodriguez (acoustic guitar, vocals), Robin Gentien (electric guitar, vocals, cascas), and Pierre Lauth-Karson (harmonica, vocals, shakers)—presented a series of seven Encuentros Íntimos, or Intimate Encounters (reviewed here). The first of these events, essentially house concerts, attracted an audience of about 15 people, but word got out, and the last six were standing room only. This new release, available here, captures the final performance with remarkable fidelity and offers a valuable facsimile of the experience shared. Continue reading